Baritone Kenneth Goodson specializes
in oratorio and recital repertoire. Critics praise his singing
as "poignantly serene
and beautiful" (San Francisco Classical Voice) and as "masterful,
with
beautiful tonal quality as well as intelligent, movingly insightful
text interpretations" (Oakland Tribune).
Past engagements
include Ein Deutsches Requiem (Brahms) and War Requiem
(Britten) at Davies Symphony Hall with the San Francisco Choral Society,
Die Schöne Magelone (Brahms) as a Carmel Music Society Series
Artist,
Count Almaviva in Le Nozze di Figaro (Mozart) with Berkeley Opera.
Goodson appears frequently with Stanford University ensembles, most
recently with the Stanford Choruses and the Peninsula Symphony in
Carmina Burana (Orff).
Goodson's training
includes a year of study with German baritone Dietrich Fischer-Dieskau,
and he spent two summers as a voice fellow
at
the Tanglewood Music Festival. Goodson is a Professor with
the Mechanical Engineering Department at Stanford, where he teaches
heat
transfer.
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